This is worth a watch, especially to overcome the outrageous gaslighting of those saying that the degenerate performance was not a mockery of the Last Supper — an easily refuted claim that has taken in superficial people who fancy themselves smart. The subject at hand is exactly where Jonathan Pageau’s knowledge and perception come in handy.
You don’t have to agree with all he says to acknowledge that this is an informed, intelligent commentary on the genuinely diabolical and “queer” imagery of the opening ceremonies.
From the YouTube description:
In this video, I discuss the 2024 Paris Olympics opening ceremony and its drag Dionysian representation of The Last Supper, I discuss why specifically the images of Dionysus and the Last Supper were used, other elements of the opening, the purpose and meaning of such symbolic demonstrations, and finally, the question of intent.
